2017年5月31日星期三

Bienvenido obtener muestra para papel de sublimación con impresión digital

Como papel de #sublimación más popular en el mercado, el papel de #sublimación adip 92gsm Premium (no offset paper) + 8gsm Premium, el tiempo de secado es de 1minutos, rendimiento de transferencia de 96,4% (podría entregar 96,4% de tinta al sustrato). Está diseñado para todo el trabajo de sublimación y con colores vivos y profundos. Combina un excepcional rendimiento de transferencia elevado con absorción de alta velocidad y secado a alta velocidad.

El papel de transferencia de la sublimación del tinte 100gsm se aplica extensamente en vario de la tela del poliester, incluyendo las telas caseras, la ropa y la publicidad etc. Podemos modificar el diseño de encargo de la #impresión como usted requirió. Todas nuestras materias primas son importadas y ambientales, el #papel de impresión del #formato del lagrge tiene características de la solidez del color, sentido fuerte de jerarquía, color brillante y así sucesivamente.

 100gsm dye sublimation paper


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2017年5月26日星期五

What Sets Different Papers Apart?



Depending upon the manufacturer, photo paper is categorized in to up to five major aspects. It's worth knowing what they mean as you comparison-shop between papers within a given maker's line.

Paper Weight

Photo paper is heavier and thicker than plain paper, mainly to offset the tendency to curl that accrues from having one side of the paper coated. Better photo paper, however, is even thicker, giving it a solid, substantial look and feel that denotes quality and permanency. Heavy, double-weight photo paper is what you want for exhibits, framed prints, and other occasions when only top quality will do.

Paper Surface

While glossy paper is the most popular kind of surface, producing the sharpest, most contrasty images, you may wish to consider others. Semi-gloss is less reflective than glossy, and some experts maintain that papers with this finish allow for a higher dynamic range—better blacks and whites. The next down the scale, matte, is more subtle and subdued. Matte paper is not as contrasty as glossy, which makes it good for portraits and artsy subjects.

You'll run across some other, less-standard photo-paper finishes. "Luster" typically imparts a feeling of depth and dimension, "satin" helps create a dreamy, surrealistic image, and "metallic" gives a brassy, contemporary look. Every photo-paper surface and texture has its own characteristics, and the only way to discover which one works best for your images is to experiment with them. The best surface will sometimes depend on the content and composition of the image, too.

Color or Brightness

Better-quality consumer-grade photo papers tend to be whiter, producing brighter, livelier colors and contrast. However, in some brands, the brighteners used in the paper tend to fade to yellow over the decades, especially if chlorine bleach or similar chemicals were used in the manufacturing process. (We'll discuss that more in the section on archivability below.) Professional-grade papers, on the other hand, may have warmer (golden) or cooler (bluish) colors, which can affect the overall color and feeling of your printed picture. Other pro-grade papers have a vanilla-like color, which is the natural color of the paper, without brighteners or dyes.

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how many kinds of Yesion photo paper


Photo paper is a category of inkjet paper designed specifically for reproduction of photographs, which is extremely bright white due to bleaching or substances such as titanium dioxide, and has been coated with a highly absorbent material that limits diffusion of the ink away from the point of contact. Highly refined clay is a common coating to prevent ink spread.

The best of these papers, with suitable pigment-based ink systems, can match or exceed the image quality and longevity of photographic gelatin-based silver halide continuous tone printing methods used for color photographs, such as Fuji CrystalArchive (for color prints from negatives) and Cibachrome/Ilfochrome (for color prints from positive transparencies). For printing monochrome photographs, traditional silver-based papers are widely felt[by whom?] to retain some advantage over inkjet prints.

Photo paper is usually divided into glossy, semi-matte, semi-gloss, "satin" or "silk", and matte finishes. The thickness of photo paper varies over a wide range. The lighter weights are not much different from general-purpose office papers as described above, and can be used for all types of printing, although these are the least expensive lowest-quality photo paper.

Photo papers for more critical work are thicker and have advanced coatings, sometimes with quick-drying properties. They can normally be printed only on the one specially coated side. A few papers are coated for double-sided printing.


Glossy photo paper, which is generally the most popular, has a shiny finish that gives photos a vivid look. It will generally be smooth to the touch and will have some glare to it. Matte photo paper is less shiny and has less of a glare than glossy paper. It is often used to produce superior text results. Matte and glossy prints will typically feel different to the touch, but when displayed under glass their results will often look quite similar. To increase the resemblance to oil paintings, papers with an imitation canvas texture are available. Photo papers are usually high-brightness neutral white papers, but a few off-white papers are made.

As in offset litho printing and traditional photographic printing, glossy papers give the highest color density (or Dmax), and therefore the widest color gamut. Photo papers vary in their longevity and their color gamut. Ink suppliers often provide color profiles for their ink systems when used with specific papers. Longevity depends on the specific combination of inks and paper. For maximum life, the paper substrate will be "woodfree" (i.e. wood-based but without lignin), or cotton-based, or a combination of the two. Plastic substrates also exist.

No official paper industry definition exists for glossy, semi-matte, etcetera, although an objective scale is available for the glossiness of papers used in offset litho printing. Such paper suppliers as  Epson and Kodak all use their own terms to describe their paper, such as Everyday (HP), Premium High Gloss and Luster (Epson) and Ultima (Kodak). ECI  has categorized papers for proofing simulation of litho papers



Web:www.yesion.com
Email:yesion@yesion.com
Whatsapp:86-18717853955

 https://twitter.com/shyesion  
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 https://cn.linkedin.com/in/yesion